The most important symbol in the novel Heart of Darkness is darkness itself. The word dark used in the poem symbolizes death. The uncomfortable way the narrator describes the event, along with interesting choices of words and phrasing, makes the reader aware that this poem is meant to reflect the idea that this was a negative experience and that man and technology are encroaching on the wilderness and causing harm. The words were simple and to the point and I felt as if I were standing there with Mr. At first, his decision with what to do with the deer is easy; he knows he must push it off the edge for the safety of other motorists, but then, a closer examination of the deer reveals to the man new circumstances.
By glow of the tail-light I stumbled back of the car and stood by the heap, a doe, a recent killing; she had stiffened already, almost cold. People like that poem because it makes them feel shitty. Instead of being brought up in the wilderness, it will be brought up as a pet. So he thought it was best for the deer to move into the gorges formed by the river. His mind, as pregnant as the dead doe, is filled with muddled emotions: pity, anger, frustration, and confusion about how to act. My fingers touching her side brought me the reason-- her side was warm; her fawn lay there waiting, alive, still, never to be born. I thought hard for us all—my only swerving—, then pushed her over the edge into the river.
It is about the sadness that accompanies each traveler on the longer journey of life and toward the inevitability of death, so that when we encounter a misfortune on the road, we hesitate before we move on. It is worth noting that the deer is a doe that is pregnant and is thus nature at its weakest and most vulnerable. In the third line; we see the poet immediately decides to push the doe into the river as the road is narrow and can trigger more accidents. I have found the same similarity… 853 Words 3 Pages Traveling through the Dark by William Stafford is essentially a short poem that was written based on personal experience. Stanza Two As a consequence of stopping the driver has to inspect the deer but isn't certain if he's done the right thing - he is clumsy in the dark - and the once lively deer is now only a heap of roadside detritus. .
It's the persona of the real life self speaking normally. Even you poetry-haters out there might just find something to like in this one. Finally, darkness points to the final destiny of all beings, the darkness of death. In the poem, Traveling through the Dark by William Stafford, and The Black Snake by Mary Oliver, both share a common theme of life and death. The situation can be unnoticeable and you would have to think about it and observe the details. Baton Rouge: Louisiana State University Press, 1976.
Furthermore, the man literally cannot see farther ahead on this road, only as far as the headlights will allow. Richard Hugo This poem seems a great favorite of Stafford readers; it appears everywhere. It might be a situation with a friend or family member or it might be something that will never be known to another living soul. Fairchild, Patricia Fargnoli, Beth Ann Fennelly, Ann Fisher-Wirth, Jeff Friedman, Carol Frost, Brendan Galvin, Jorie Graham, Zbigniew Herbert, Brenda Hillman, Janet Holmes, Cathy Park Hong, Donald Justice, Adrianne Kalfopoulou, Ilya Kaminsky, Mary Karr, Ted Kooser, Philip Levine, Larry Levis, Rachel Loden, William Matthews, Campbell McGrath, Susan Mitchell, Gregory Orr, Michael Palmer, Sherod Santos, Vivian Shipley, William Stafford, Mark Strand, Brian Turner, Charles Wright, and others. Ehrhart, Claudia Emerson, Bernardine Evaristo, Patricia Fargnoli, Annie Finch, Daisy Fried, Jeff Friedman, Carol Frost, Brendan Galvin, Reginald Gibbons, David Graham, Jonathan Holden, T. One of nature's exquisite creatures has been slaughtered and callously left on the road, unburied, unmourned, potentially to cause future accidents.
It is quite significant in the poem because it gives a clear contrast between the animal and the machine. The poet has however used vivid imagery and strong symbolism to support the theme of the poem and each element has its own purpose in the poem. He carries his world within him for good, and no matter how foreign the external landscape, he will travel through its darks and find his poem. In the poem, Traveling Through the Dark, Stafford describes how he was moved by the death of a pregnant fawn while driving his car on the mountain road at night. The speaker is a man traveling at night who finds a dead doe on the edge of the road. We would usually predict him to stumble in the darkness, but chillingly, we see that as the poem continues along, he operates better in the dark.
Darkness here is used to suggest that the narrator is unaware of human's effect on nature. The lines involve variations of rhythm. As an adult, In 1933 Stafford graduated from high school in Liberal, Kansas, and attended Garden City and El Dorado junior colleges, graduating from the University of Kansas in 1937. He cannot come out and discuss the impact of car technology on the natural world, but skirts around it and discusses the deer as something entirely different and alien from the man-made elements surrounding her. His options are as narrow as the road he travels in that mysterious and dark night. The poem's speaker stops his car to push a recently killed doe off the mountain road, where the carcass is a driving hazard, into a canyon.
He may even wonder if the fawn can be saved, but knows all along what he must do. Stafford's somber scene is a small tragedy, but in his simplicity, in his directness without swerving, he creates a metaphor for life. Please do not consider them as professional advice and refer to your instructor for the same. You see, Stafford was an interesting guy. The car becomes a being, with red lights and exhaust, like a demonic breath, the driver turning red as he decides what to do. After the war, he returned to finish his major.
The car aimed ahead its lowered parking lights; under the hood purred the steady engine. Traveling Through The Dark is an 18 line poem, 5 stanzas, 4 of which are quatrains with a couplet at the end. Jonathan Holden In this poem some of the possibilities of voice have been sacrificed for the sake of formal beauty: the prosody is patterned, the lines are in four-stress accentuals and lightly dabbed with touch rhymes. The car is personified as a horse, owned by the person who discovered the dead dear. With the use of these stylistic devices, William Stafford illuminates death as a consequence of certain decisions.
Simply put, it jars my Northwest soul. But I can't defend this. Stafford, helping him decide what needed to be done. The half-rhymes and loose iambic give it a prosy surface without sacrificing the rhythm, which is perfect. The conflict exists because technology does. Furthermore, it is necessary to deal properly with this problem so one can continue on their path in life. The images, however, are not surreal, and the poem itself remains consistently an objective narration.