Throughout the play he is a man incapable of forming emotional attachments and has no regard. To what extent do you agree with this statement? Thus Iago has been played as a one-man lynch mob who hates Othello because he is black. Iago suspects that his wife, Emilia, has committed adultery with Othello:. Desdemona becomes enchanted, falls in love and elopes with Othello. Meanwhile, Iago has been passed over for promotion.
Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. For one thing, Iago is married, in a stable if not particularly happy marriage with Emilia; most of us know married couples like this pair, who have stayed together out of inertia but who do not like each other much. Iago doesn't for the most part he just has a burning hatred for the world especially Othello. Roderigo is a typical wealthy, Venetian aristocrat who is madly in love with Desdemona and he has given Iago the task of helping him woo her. Was Iago in love with Cassio too? Iago is one of the most notorious and mysterious villains of all time—it's no accident that the hyper-annoying and malicious sidekick to Jafar in Disney's Aladdin was named. Iago's Motives : a Horneyan analysis Bernard J.
He deems the lives of the aforementioned characters as insignificant, and treats them like pawns to meet his own ends. Cinthio's tale may have been based on an actual incident occurring in about 1508. What I think made this play great was that it has a villain behind the motive, which makes the play more interesting for me. But what is my motivation? Jealousy, a desire for power, sadism, racism and frustrated love are some possible explanations. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. His justifications of unfaithfulness and unjust career-theft are weak, frail excuses that he needs to convince even himself substantiability of. Even though there is little evidence in the play to support either his suspicions or his very unflattering portrait of his wife, it is nonetheless clear that his marriage is not a happy one.
Identity, or what may be better explained as a character's public perception, is highly valued in the Elizabethan Age in which Othello is set. He does it with a sense of craftsmanship, appreciating the elegance or cleverness of a particular step in his scheme as much as its final result: incredible suffering for the people he has chosen. One of the subjects the tragedy addresses is betrayal which is a crucial part of the play that helps the author develop events to bring it to its climax. Many critics see him as a descendent of the Vice, a symbol of evil, or an embodiment of motiveless malignity whose behavior is dictated by his thematic function or dramatic role rather than by an internal motivational system. Let me see now: To get his place and to plume up my will In double knavery—How, how? What you know, you know.
So why does he shut up now? The role he plays is unique and complex, far from what one might expect from a villain. What have they ever done to him? Iago wants to get back at Othello for choosing Cassio as his lieutenant. With 1,097 lines, Iago has more lines in the play than Othello himself. It is clearly evident that Othello symbolizes a hero while Iago adores the role as a villain. He is best remembered for his drunk scene.
After his complaints at the beginning, Iago has little bad to say about Cassio, who, when he does appear, does not seem particularly aristocratic or intellectual and certainly does not lord it over Iago or anyone else. Throughout the play, Iago's soliloquies disclose to the audience what he does not reveal to the other characters as his plans take shape. Brabantio, Desdemona, Iago 1348 Words 4 Pages the fundamental impact of others. You see right away that he is able to give the appearance of one thing, but in reality be something quite different. He is one that possesses lots of military leadership qualities. This begs the question as to why Iago served under Othello all those years and also as to why the Venetian government would hire a member of an accursed race to be their general. Consciousness, Desdemona, Iago 929 Words 3 Pages is one of the major themes in Othello.
Iago pretends to have so many motives that they seem more like excuses. Desire for Power Iago does not have a powerful job. Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would invent other motives to provide the framework for the diabolical mischief he must create. These could slide on and off the big open Olivier stage quickly and easily, with a few accessories like laptops or maps added to suggest specific locales. Brabantio, Desdemona, Envy 1592 Words 4 Pages Who is Iago? Iago might say things that suggest what his motive is, but he soon contradicts himself with another suggestion making it extremely difficult to understand him.
Throughout the duration of the play, the characters Iago, Othello, and Cassio display the importance of reputation. Even a minor character is supposed to have one for every single moment of performance. Another explaination for Iago's motives is that he is the devil incarnate. But when Shakespeare wrote Othello he created one of the most controversial villains of all times; Iago. Hell and night Must bring this monstrous birth to the world's light.
In various soliloquies, he reveals grudges that, while mostly false or overblown, present themselves as clear to Iago. However, during the course of this paper, certain motives for Iago's actions will be discussed. Othello by William Shakespeare is a tragic story, the play is based on the theory that love is meaningless unless the physical attraction is partnered with trust. The Venetians apparently look upon dark skin as a flaw, but not a major one. Characters are simple and allegorical, defined by their traits rather than by their personal history; or they are individualized and complex, defined by their backgrounds; or they are both kinds of character at once. Othello has the very qualities Iago lacks and must therefore destroy. Recognizing this, Hytner and Mortimer had the soldiers in the opening scene wearing civvies.