For instance, the western culture believes in the primacy of the individual whereas eastern culture is governed by thinking collectively on centrally. It was a time of war and suffering, especially due to the imminent Vietnam War and Civil Rights Movement beginning in 1955. In order to put meaning to life we would have to take risks and challenge ourselves even if it means confronting failure. The risk taken when writing it is shown as the same risk when you walk on a high wire or perform high-risk acrobatics. Somewhere in Meekong A prince of battle is blown into bloody meat.
This is mainly done in order to make fun of them. The doors close in an hour. He goes further and describes the situation of starting a death defying leap. If the poem does not impress the public, the audience will certainly trash it and that will be the end of the poem. Also, I believe that a poet should be willing to express how they feel no matter what.
Ferlinghetti compares poets to acrobats. Ginsberg's poem is an example of Ferlinghetti's philosophy on poets. The ridiculous actions mentioned throughout the poem emphasize the uncertainty experienced by most poets. The breaks are irregular and take the reader by surprise in order to solicit the same reaction from the reader as would be received by an audience watching an acrobat. . The atmosphere is filled with excitement as children learn about different things.
Well the poem is very symbolic in the fact that the poet compares the life of a acrobat with that of himself. Everyday artists and performers put their ideas and expressions out for everyone to see. Lawrence Ferlinghetti Constantly Risking Absurdity Title Analysis Analysis Questions The poem serves as an extended metaphor between acrobats who literally perform death-defying stunts and poets who figuratively put themselves on the wire. These poems illustrate to readers the struggles in finding one's inner self and fear of failure. Where Allen Ginsberg is lost in the market, desperately trying to find inspiration from Walt Whitman, Lawrence Ferlinghetti portrays the image of the poet frantically trying to balance on a high wire, risking not only absurdity, but also death.
Without this the poem becomes irrelevant to the audiences. Yet again, the death of the acrobat would be physical and in three dimensions while the death of the poets would be in the mind. Odysseus's persistence in his quest to reach home leads him to his goal. This is of course also the theme of the poem. An acrobat has been used in the poem in comparison with the poet who is about to go on stage and recite his poem in front of the audience.
I believe that Ferlinghetti wants people to take risks no matter what the difficulty. Posted on 2009-03-04 by CodyB. Posted on 2009-03-04 by a guest. It is as if Lawrence Frightening was expressing his frustration but also compensation of writing poetry through this poem. Lines number nine and twenty illustrates rime and climb as parts of visual and auditory theatrics, just like above ground performers fly from one side of the showground to the second putting on near slips from the tightrope to show more thrilling performance Fontane, pp. The poet takes many risks when putting his work out into the world, just as the acrobat takes many risks when he steps out to perform.
I believe that in this poem Lawerence Ferlinghetti is trying to tell us to take risks and not be afraid to express yourself. This fact can be supported by the title of the poem itself. A poem fails to draw the attention of his addressees if he fails to understand them when he entertains them. In most cases when the acrobat goes on stage to share his skills, the situation is usually intense. Ferlinghetti also clearly portrays the life of the poet that includes taking risks.
This is true due to the fact that, poets poem is not good not one will remember it and it will just be words. This suggests the personal damages one may have after being embarrassed in public. It sums up in 33 lines the risks of any creative act, be it writing poetry or performing dangerous. Everything's loosey goosey here—even the , which might have driven us a little crazy. Lines twenty five through twenty seven once again build a staircase for the poet to deliverer beauty. Kafka was born in Prague in 1883. The poem compares the poet and acrobats and for that first five lines are meaningful Roethke, pp.
But that headache isn't for nothing. Although it may take a long time to achieve the success, it is worth the risk and the poet or any other artist should always bear this fact in mind. This poem has 33 lines divided into 3 ever more short sections 18, 9 and 6 lines. Technological advancement has shrunk the world and has increased the possibility and capability of people interacting with people from different cultural backgrounds. For example, the line six, seven and eight have merely dropped; albeit, the lines do not go back to the left hand margin; they have returned enough to show that drop line is not in the structure Roethke, pp. This explains why different philosophers have been trying to highlight the causes of the debilitating feeling that every venture in life is absurd. Acrobats have to put almost everything on the line to impress the audience and to get an applause.
This makes sense because both acrobats and poets must take risks in their professions. Although he is inspired, Ginsberg clearly lacks the confidence in himself and modern America to achieve this dream. Culture portrays the image of the unit and is the sum total of the values, attitude, behavior, and beliefs of the people, which holds the organization together. Images and symbolisms go hand in hand; however, they can exist without the presence of the other. This is mainly because most of the audiences will always want to see whether the acrobat will perform well or not.