They are all around very rude about everything. He has transformed into a large bug and spends the rest of his life in that state. Although he becomes an outcast from his family and the society due to his new status, he could not do anything to regain back is human nature. Chief clerk The Chief Clerk is the Chief's mouthpiece. As soon as she knows this, she leaves her job and the family. The reader already knows that his mother takes a somewhat passive-aggressive approach.
Until the day of his metamorphosis, Gregor has worked to pay off his father's debts and support the family. Gregor is very devoted to his busy work as a traveling salesman, not only because he wants to support his parents and pay off a debt that they incurred, but because he dreams of sending his sister, Grete, to a conservatory where she can learn to play violin professionally Kafka 129. It's very possible that she was going to accuse him of being cruel or acting like a pest; that she stops herself from doing so suggests that she doesn't yet want to fight with him. She then proceeds to save Gregor from his father's apple-throwing wrath. He longs for human contact, and realized that the furniture in his room, though now quite in the way of his movement, are nostalgic for him and connect him to his previous life. Here, Kafka implies that, because they each have their own side, they're divided in their thoughts and feelings about Gregor, as evidenced by the fact that the mother wants to clean his room and can't imagine getting rid of him. Note the order in which Gregor lists the likely results of his crash: his immediate assumption is that it would cause fright, not for his person or his health, but for their livelihood, which depends on Gregor being able to work and make commission.
He even throws apples at Gregor and it feels as if he is trying to kill him. Grete's change in wardrobe should be understood as another kind of transformation, one that traces her development from a young, often thoughtless woman to an adult who's making her way in the world. In Gregor's case, his body and his mind are at a disconnect, but have grown gradually more aligned as he loses his ability to speak and learns how to walk. Her playfulness may be demeaning, but it's also the only real human connection he had. Even after he transforms we see plenty of examples when he tries to keep himself away from the eyes of others as much as possible and try not to be an inconvenience even at his own peril. Gregor's transformation is so random, so arbitrary, so grotesque that you might find yourself digging around in the story to find out how such an ordinary guy ended up with such a despicable fate.
Here, Gregor hisses, furious at them for not closing the door, which he has hitherto wanted open. On the contrary, he quickly accepts that he has become a bug and tries to go about his life as best he can in his new condition. He is erroneous to think that he can connect with Grete by expressing his appreciation for her music, and the stage is set for his complete dismissal and condemnation by his family. The door was locked in consideration of his age Sokel 169. She is extremely grateful when she is allowed to go and promises to tell no one about Gregor. The lodgers carefully inspect their food and rudely show displeasure at Grete's violin playing. Often, when this word is used to refer to food, it connotes richness and abundance: a plethora of options, a platter of delicious treats.
This line can be interpreted two ways. His family members, however, are apparently incapable of making the same kind of psychological adaptation. Samsa puts on a uniform and goes to work. This has quickly become unbearable for Grete and will cause problems for Gregor later. Here, the uniform is on Gregor's father, which returns him to a position of respect and authority that he enjoyed before the collapse of his business.
The family cannot accept his status and treat him badly because of his external appearances. Instead of trying to reverse his metamorphosis, he passively waits for it to resolve itself, assuming that he'll revert back to his former self if he just waits. Samsa's favorite child and of his importance. Recall that when Grete was playing the violin earlier the parents also took their own sides, flanking her as she played. Her relation to Gregor is one of dutiful and loving mother, but her tendency to faint upon seeing him is not conducive to helping him.
The Manager takes to his heels after seeing Gregor in that form. It's unclear from this line if the embarrassment felt here is Gregor's or his parents' or both. He is all around a kindhearted soul who does everything he possibly can to make his family happy. Like many people, he detests his job, but he recognizes that his work is necessary because it supports his family. Now, she's feeling the effects of this strain, and Gregor realizes that perhaps he'll lose his only friend. Keep in mind, however, that when he leaves for work, he likely doesn't lock his door behind him, leaving his room free for his family to peruse. However, both of them wake up one day with insect powers.
When Gregor passes away, Mr. Without characters and their development, the story cannot progress. . This learned distrust subtly characterizes Gregor's family as a group of greedy or demanding people who don't respect Gregor's privacy or view him as a real individual. Some of the characters have been discussed below. Earlier, his room was characterized as a place of infirmity and of gradual decline, in which Gregor slowly loses his self-succiency and becomes dependent on others.
They react irrationally, exercising neither justice nor mercy in their response to his condition. In other words, if he does not do this job, then his family will have to go hungry. They come to a point at which they can no longer connect the new Gregor with the person he once was, and though only his physical characteristics have changed, they view him with disgust and without compassion. This mandates Gregory to accept his new status and change his attitude towards achieving the new nature. Gregor's dismal fate illustrates both the rewards and the sacrifices of defying social convention and living the extraordinary life. She emerges from the situation as a matured version of her former self, but perhaps this was not for the better because with maturity comes the loss of youthful naiveté.
However, she seems to love Gregor most out of everyone in the house. To them he was only a bug and not Gregor. Interestingly enough, Grete is the only character to be named by Kafka aside from Gregor and as well as the only one to treat the protagonist with sympathy. This detail comes at a crucial moment, when it's necessary for readers to remember that, psychologically, Gregor is still a person who needs sympathy and understanding. Their lack of appetite here is as likely a result of their disgust over living with this pest as it is a result of their no longer having a source of income and needing to pinch pennies in order to survive. Her playing awakens his humanity.